New 15th Anniversary Edition of PC Bedtime Stories in the UK!

Like in anything else, there have been some ups and downs in my writing career, but one of the luckiest breaks I’ve had has been to have Ernest Hecht as the publisher of PC Bedtime Stories in the United Kingdom. He’s managed to keep me in print for more than 15 years in Britain (along with getting my name in the press once in a while, to keep interest up), with smaller and better thought-out press runs than was the case in the US market. Contrast this with the fact that the US edition of PC Bedtime Stories has been out of print since 1997, two years after selling 2 million copies, and you’ll understand the stark differences between the markets. It’s been so much more fun to have a real person as my publisher, instead of the employee of a large media conglomerate.

Ernest also brought my first book to the attention of Grasset, my French publisher, and Goldmann, my German publisher (and possibly a couple others I’ve forgotten). He earned no profit from this, except in keeping relationships alive and happy. At the helm of Souvenir Press (which he started at age 18 with a special edition of stories and stats for football fans), he’s the last of an old breed of publishers who are hands on with just about everything his company prints. “A publisher’s main duty to his writers,” he’s said many times, “is to stay in business.”

So imagine my joy and pride in the fact that Ernest is publishing a 15th anniversary edition of PC Bedtime Stories AND has put it on the cover of his latest catalog. Those ugly caricatures of Grandma and the Woodcutter have never looked so good.

For a little extra sizzle in this edition, Ernest asked me if I had any other PC stories cluttering up the office that could be included. I looked around and found some things, but none of them truly fit the bill. So I sat down one morning last spring and decided to have a whack at the story that could be made out of what was only a punchline title, “The Duckling That Was Judged On Its Personal Merits and Not On Its Physical Appearance.” To my surprise (or shock?), the words just flew onto the page. After a couple of rewrites, I sent it to Ernest, who was very happy with the result. So that story is included in this British edition, as well as in my e-book edition available in America and Germany.

There is even talk about this hardback edition being distributed again in the United States, which is very exciting news, even if Ernest inserted extra U’s in “color” and “odor”.

Years ago, when the book first came out in Britain, Ernest flew me and my wife over to London to do some media. It was a trip we will never forget. He had me running around a lot, but it was terrific fun. Got to be interviewed by Allan Bennett, visited the HQ of BBC Radio at Bush House, met Walter Mosley at a studio. Ernest put us up in the company flat, which hadn’t been decorated in a while (rotary phone, blue shag carpeting, plumbing that only allowed hot water to make it to the tub if you sat down and used the shower as a handle), but it was a terrific treat for us. Even better was when he took us out to dinner at his favorite London restaurant, the White Castle (I know, we Yanks laughed about it too), and told us stories about his travels, his adventures as a producer on the West End, and his beloved football team, Arsenal.

So my ever-lasting gratitude goes out to Ernest, who took a chance on importing a humor book from America and managed to keep it alive and kicking for longer than anyone anticipated. To his instincts, his savvy, and his generous love of life, I raise my glass.

Finally Back Up to Speed

Well, we’re back in the City of the Big Shoulder Pads, and I think the whole brood is finally getting back in fighting shape. I can now sleep a little past seven, ignoring the workers cutting up the street outside our window for almost 10 minutes. I also curse a little bit less driving around town, although that might have to do with the kids being in the car. And the car windows being open.

Fall is the time when I make lots and lots of resolutions that probably won’t get accomplished. (First got this idea from the Tribune’s Eric Zorn, and it is a much better notion than waiting until January, with its short, cold days and hibernating lethargy.) Of course, there are more demands on my time now, too, but during the day, I’ve got about 7 hours of straight time, which I hope I can put to awesome use.

One resolution is to get out to more readings and performances this fall. Writing is incredibly solitary, but there’s no need to make the problem worse. Any night of the week in Chicago, there’s a good reading series happening somewhere. so I’m going to stick my nose out, meet a few people, and maybe sign up to read, if the hosts will have me.

So far I’ve been able to read at two gatherings. The first was the venerable Uptown Poetry Slam, run every Sunday by my old friend Marc Smith. He found out I had a new ebook to publicize, and his first instinct was to give me a buzz and offer some stage time to read. I hadn’t read there in a couple years. The Green Mill Lounge is one of the most special places in Chicago, a watering hole and musical oasis that could exist in no other place. It looks great, feels cozy, and SOUNDS unlike anyplace else in the whole city. Mark let me read for quite a while, so I brought out the clown bar fight from Chapter 5 of “Honk Honk, My Darling”, and followed it with the steamy encounter between Rex and a certain senator’s wife in the yet-to-be-published thriller, “The Wet Nose of Danger.” I also read for the first time in North America, the newest PC Bedtime Story, now available in the British edition and e-book edition, “The Duckling That Was Judged On Its Personal Merits and Not on Its Physical Appearance.”


What a jolly and engaging stage presence I am !!

Reactions were weird, but I should be used to that by now. Cackle here, laugh over there, but I didn’t have them at my mercy as much as I’d like. I’m also a little rusty, so I can’t pull the audience along like I used to. Will have to brush up on my chops.

Then last week I got to participate in Reading Under the Influence (RUI), which is run monthly by the wonderful Julia Borcherts out of Sheffield’s Bar. This was a totally different kind of reading than what I was used to: Everyone standing up, about four feet from the reader, all drinking, many joining in and heckling. It wasn’t an aggressive audience, but they sure were involved with me and the other readers. I also stumped most of them with my trivia questions about the end of the world and Nostradamus and the Book of Revelation. But most importantly, I met some cool people and heard some good writers, especially Geoff Hyatt, whose new book just came out. I gave away a lot of coupons for free copies of “Honk Honk, My Darling,” but only a few of them have been turned in yet.

And today I sat down with the notion that I was going to write 1000 words. For me, this is like running a marathon. I don’t think I’ve written that much in one sitting in years. And what do you know, I beat it! 1458 words! It felt great! And no one at Facebook even noticed I was missing.

Latest up on Bardball

I haven’t posted my poems from Bardball in the past couple weeks, but for those who don’t feel like going over there, I thought I’d bring one over here.

Today’s was inspired by last week’s passing of manager Dick Williams, an old=school hardass who achieved some marvelous things with his players (and, though I couldn’t manage to work it into the poem, quit the Oakland A’s after two pennants and a World Series because he couldn’t stand working for owner Charlie Finley). RIP, Dick.

When Oakland’s Swingin’ A’s were swingin’,
A hard-playing, mustachioed team–
Williams quit after winning two titles.
The skipper never changed or mellowed
In Expos white or Padres yellow.
Old-school grit, speed and defense vital.
Angels in heaven might hear him scream,
“You with the harp! You call that singin’?”

Workcamp in the D

This week Number One Son has been on a mission workcamp deal. Normally, these trips take high schoolers to run-down, desolate parts of the country, like Indian reservations and Appalachian villages. But this year, that desolate part of the country happens to be my hometown, Detroit. Motown. The Big D.

So this week, I’ve felt both pride and nostalgia for the place that formed me, a little guilt for having moved away so long ago, and despair that my kid and all the kids with him right now will never understand the treasures that that city held back in its day.

That last emotion may be common to all people as they get older. It’s not just some nostalgia for the way things were “back in my day”. It’s more an awareness that there’s a continuum of culture, that the way we live now has its roots in the choices that were made in the past. It’s also the awareness that civilization is fragile, accomplishments fade, and the American “Way of Life” can leave a lot of places and people on the scrap pile.


When I was born, Detroit was the 4th largest city in the nation, bigger than Los Angeles. The downtown Hudson’s Store was one of the biggest department stores in the country. The riverfront was full of factories (I remember a Uniroyal tire factory sitting odoriferously next to the bridge to Belle Isle). The Bob-Lo Boat took people downriver to Bob-Lo Island all spring and summer. We had Motown, the MC5, Alice Cooper, Parliament/Funkadelic. Overall, the place was ALIVE! Just like Bob Seger said, We were making Thunderbirds.

Now the place is a case study of “ruin porn.” To catalog all the problems and scandals of the past 20 years would send you into a fetal position, and for it to come from an exile like me would be completely inauthentic.

But I hope the kids on the workcamp can catch a glimpse of what the place had been, and what it could still be. People in Detroit are crazy and tenacious. They’ve had the rug pulled out from under them so many times that they might as well stay on the floor. But they don’t. It’s our largest industrial city in decline, which means there’s a certain critical mass there. Which means it might take longer to turn it around, but once it gets going, it will be hard to stop.

“Honk Honk, My Darling”– New Podcast Chapter!

for the patient people out there who are following the podcast of “Honk Honk, My Darling”, I apologize that this episode took a while. While it was tough stripping in all the voices that I wasn’t satisfied with (particularly Bingo the clown), the biggest time suck was creating a sound pastiche for the big melee at the Banana Peel.

How does a brawl in a clown bar sound? Well, click on the player below and find out!

(BTW, you can find the other podcast chapters at the host site here: http://rexkoko.libsyn.com)

My Expertiousness, Part I

A couple weeks ago, I got an email out of the blue from an ABC News reporter who wanted to talk about L. Frank Baum and the myths that surround The Wizard of OZ. (A couple years ago, I wrote a review for a new bio of Baum.) We talked for a long time, very fun, and then she included me in her article like I was a professorial, talking-head type of guy. The article can be found here.

Little known fact: Baum called his landscape “OZ” because that was the serving size he required for his sinsemilla. And the Lion was meant to refer to Haile Salassie, the “Lion of Judah”, even though he was only 8 years old at the time.

Don’t believe me? Try that little trick with the movie and “Dark Side of the Moon.” Properly baked, of course.

“Prairie Home Companion” at Interlochen

Yesterday I drove up to northern Michigan, to drop off Number One Son at Interlochen for his week of sketching, drawing, painting and all around visual excitement. For those who haven’t been up to that school, it’s a campus-like feeling in the pines there, less like a camp than the boarding school it is. Spiffy and new, a mecca for tasteful patrons of the arts.

In their bandshell, the first concert of the season was “A Prairie Home Companion”. Some part of me resisted buying a ticket to this show until the last minute, but I finally decided to stick around and watch. I bought the ticket 3 days before the concert, and there were all of 4 tickets left. They were in Row G, and were more than I intended to spend, but I’m grateful it worked out. I was about 30 feet from the stage, and it was an awesome evening. If I’d had my honey and my daughter with me, it would have been perfect.

Doing some math, I realize I’ve seen Garrison Keillor now four times, in four different locales: St. Paul and Chicago in the 80s, New York (or Brooklyn?) in the early 90s, and now Interlochen. He’s planning on retiring, I had heard, so I figured it would be worthwhile to see him one last time. The setting was gorgeous, the evening weather was perfect, and all of the musical acts were sublime (except for Robin & Linda Williams, who had all the presence of margarine and looked like a couple people who repped pet toys at conventions, though Keillor’s comfort with them was unmistakeable).

Most of all, it was supremely enjoyable to watch Keillor perform. His stage demeanor was much warmer than I ever remember it. He was having a great time, and did a good job interacting with the audience and the young musical performers. Pacing back and forth as he told the news from Lake Woebegon, it was like he was telling a story at a cocktail party. A highlight (as you might expect for me) was watching him try and stump Fred Newman, his sound FX guy, with ever-more-elaborate vocalizations. I didn’t realize the subtle labial variations required for sounds of an outboard motor, a chainsaw, and embarrassing stomach noises. (I still can’t figure out how he made the dead-on sound of a truck backing up.) The other actors were great fun, too, especially when they performed highlights from movies filmed in northern Michigan (“Muskie Man” and “The Buddy System”). I listened to the repeat of the show today, by accident, and got the fuller effect of seeing it all in my mind. Coupling the sound with the memories of last night were a real charge to the imagination. In fact, listening to the whole show, I forced myself to remember everything I could–what performers were wearing, what the harpist’s brown hands looked like on the strings, when performers laughed, the signs in the background for Guy’s Shoes and the Catchup Advisory Board. It felt like flexing a strong muscle, warm and enjoyable.

With a career as long as Keillor’s, it’s easy to focus on a few faults. Sure, he’s corny. He coasts a lot of the time (I never have to hear “Da Doo Ron Ron” again please — I can’t stand any more boomers and plus-boomers trying to clap to the beat). He panders a little to his liberal, educated, arts-patron crowd. But he’s also crafty and entertaining and knows what he’s doing. More importantly, we won’t see the like of him again very soon, so I’m very thankful I went. The drive home in the dark was worth every minute. Thank you for your many years of creativity, Mr. Keillor.

For this show from Interlochen, check out videos and information here.

A Couple of Limericks for My Favorite Opera

Before I lose these in a haystack of paper, I thought I’d share them here:

Turandot was fond of her riddles,
Scaring suitors so much they would piddle.
The Ice Princess feared
Anyone with a beard
Who might end her tyrannical idyll.

Then Calef in ragged disguise
Looked in her mysterious eyes
And guessed them, all right.
No one slept through the night
As he took claim of Puccini’s prize.

Honk Honk, My Darling: A Rex Koko, Private Clown Mystery!

The literary event of 2011 is here! You’ve been waiting patiently, wondering whether VS Naipaul and Paul Theroux have really buried the hatchet, whether we’ll ever have villains as long lasting and nattily dressed as the Nazis, and why there’s no Nobel Prize for Country Music so Lyle Lovett can win the first. You’ve been waiting for the latest trend, after chick lit, dick lit, mick lit, heimlich lit, flea-and-tick lit, and New Brunswick lit.

Well, that new trend is now launched: Schtick lit.

Or more specifically, Clown Noir.

Honk Honk, My Darling: A Rex Koko, Private Clown Mystery is now available as an e-book for all platforms, laptops, tablets, smart phones, and metal head plates. You can buy it from Amazon, and for any others, you can check it out conveniently at Smashwords.com. (You can also go straight to B&N, iTunes, the Sony Store, and others.)

The action is captured brilliantly in this synopsis from Amazon (written by me, of course):

In Top Town, a ghetto full of washed-up circus lifers in the shadow of a big city, Rex Koko is a pariah. Yet this clown’s brand of chaos helps him solve the most heinous crimes, as he tries to earn personal redemption. In “Honk Honk, My Darling”, Rex is hired by an aging, arrogant trapeze star to bring back his wayward wife. Every time Rex comes close to finding her, however, other aerialists come to gruesome and spectacular ends. Is Addie Carlozo a “black widow”? Is Rex really cursed with bad luck? Why is he being followed by those red-headed roustabout bastards, the Redd Brothers? And will “circus justice” intervene before the police do? Revenge, corruption and murder headline the bill in Top Town, where life comes 3 balls for a nickel. Babes, bullets, banana peels! As the poet said, “Damn everything, but the circus!”

Who could resist such adventure! What red-blooded reader could turn away from such a spectacle!

But wait, there’s more!

I’ll also be recording podcasts for every chapter in the book, and release them bi-weekly throughout the end of the year. Complete with music, sound effects, and fake advertisers, the podcast will feature me doing more than 20 magnificent characters, including midget detective Pinky Piscopink, cooch show owner Lotta Mudflaps, Mayor Eugene X. Brody, and of course, the Redd Brothers. These can be found on the Rex Koko website, as well as at Liberated Syndication. Here’s Episode 1 to get you hooked, brought to you by the fine folks at the Suddsy Corporation:

All this and more is contained at the new Rex Koko website, http://rexkoko.com. That will be the place for news and updates, merchandise, and everything else. You can even follow Rex on Twitter, if you’re the wired type of person who needs updates from fictional characters (I should talk–I follow The Real Deadpool, DrunkHulk and Jane Wheel). Look for RexKoko4Hire in the twitterlands.

For all the tree-haters out there, I hope to have paperback copies available by the end of the summer.

Thanks to all my readers for their support through the years. I hope they enjoy reading about Rex Koko as much as I’ve enjoyed writing about him through the years.

A Man of Many Hats (And I Don’t Mean I’m an Improv Troupe)

Man, there are so many little details about getting a book finished and out, it’s no wonder my former publisher seemed incompetent.

On the other hand, they had a few more guys on staff who didn’t have to relearn the wheel every time, like I’m doing.

Honk Honk, My Darling: A Rex Koko, Private Clown Mystery is barreling down the track of e-publishment. It’s pretty exciting, and might even get here sooner if I weren’t such a doofus and actually read all the instructions, manuals and tutorials that are supposed to help me get it out there.

But barreling it is, thanks to the work of Airan Wright, who did the cover art (and also redesigned my webpages here). I don’t want to put the cover art up yet, but believe me, it is knockout. Or as my friend Jon Eig emailed, “Totally Kickass!” When Airan and I got together last month to talk about the cover of this and its sequel, The Wet Nose of Danger, it took us literally three minutes to agree on a look, feel and color palette. Fonts? Layout? Graphic elements? Check, check, check. Waitress, please, another zinzer torte!

So at least the look will be handled by professionals. The coding for Kindle and its brethren is going a little smoother, too. Honk Honk will be the fifth book I’ve formatted (did one for a friend gratis, though it may have been a little rudimentary). I haven’t really dug deep into coding, but it appears that’s not all that necessary for a straight-ahead fiction book. My copy editing skills from days gone by have come in handy (so has the OCD). My formats might be changed and improved in the future, since uploading new versions is really a snap. Doing it frequently would be a bad idea, though, if I want to keep readers happy.

In addition to this, I’m recording and editing the audiobook podcast for Honk Honk. Audacity is really a great program for it: Very intuitive, easy to undo mistakes and miscues, easy to save files. It DID crash on me when I tried to copy and insert a very big chunk of dialog I had been pasting together. But it wasn’t a catastrophic loss, and I learned (again) the value of saving files. The first episodes will be available shortly. It’s taking longer than I thought, but I’m doing 16 characters in all, which I’ve been editing together from separate audio tracks.

Now, the only things I have to figure out are how to set up merch from Cafe Press, how to promote the books online and arrange book reviews, how to create postcards for it, how to get physical copies made, and how to use social media to better promote me and my brand.

Well, I guess that’s what the afternoon is for.

Where I Was and How I Heard About It

Fall of Berlin Wall — late Sunday night, falling asleep in front of CNN.

Nelson Mandela released from prison, fall and assassination of Nicolai Ceceascu — on NPR, driving in the snow at night, back to Detroit for Christmas. Developments during the 6-hour drive were regular and dramatic.

Attack on the World Trade Center — on NPR, driving to work. Went out and bought a small TV as soon as Best Buy opened.

Death of the coward Osama Bin Laden — On Facebook, then to CNN, again late on a Sunday night.

I’m very grateful that the fall of tyranny can burn strong memories in my head as vivid as those of great tragedy. It bodes well for my continued sanity. Watching Wolf Blitzer and John King stammer and vamp while waiting and waiting for the White House announcement was funny for a while, but I put up with it because the only alternative was Geraldo Rivera on the graveyard shift on Fox. (I hope he remembered to start the coffee for the morning crew before he left.)

And the college kids in front of the White House butchering the National Anthem made me yearn for a bombastic pro singer from a hockey game to wheel out a PA in a dapper suit and blow em all away. Where’s Fat Bob the Singing Plumber when you need him?

But those were as nothing, compared with watching Obama walk down that red carpet (repressing a swagger, you could just tell) and deliver his news in such calm and measured terms. I wanted more details — how Osama was shot, how many times, who got to chew on his skull first — but will certainly accept his announcement, including his reference to Bush and the reassertion that we were never at war with Islam. Gracious, exact, statesmanlike, cool, and in the end deadly. (The only note that was off was when he called for Americans to show the unity we did back in September 2001. Surely someone on the right is going to chastise him for using this moment to score partisan points! That will be the amusing sloppy seconds for the next few days: watching conservatives find Obama’s failings in this whole operation. Watch for lots of blame going to Bill Clinton for his impotent tossing of cruise missiles at Afghan training camps in 1998. And probably lots of mentions of Jimmy Carter, just to bring up his name to sully this effort.)

I certainly hope Obama allowed himself a WHOOOP when he got back out of camera range. I’d say it called for a drink and a cigarette.

Well, This is Nice to Receive!

Not much interesting material comes in the regular mail these days. And I’m sure you’re all familiar with the solicitations that are produced by machines that make it appear the envelope has been hand-written.

So imagine how I felt when I received a small envelope last Friday, postmarked from Oakland, CA, a city in which I don’t know anyone. And imagine how I felt when I opened it and found this inside:

Yep, that’s right, Michael Chabon thinks BARDBALL is “very cool”! He’s one of my favorite writers in the entire civilized world, and he took a moment to write — IN PEN! — that he thought our little baseball poetry blog is very cool. If you haven’t read his Pulitzer-Prize-winning novel, The Amazing Adventures of Kavalier & Clay, then you are depriving yourself of a massive treat. I also enjoyed the hell out of The Yiddish Policemen’s Union, Summerland, and Maps & Legends.

I mailed him a copy of the 2010 Bardball chapbook in the spring, with no greater intention than thinking he might enjoy it. And spank my ass and call me Bieber, but he did! This is going up on the wall, next to my fan letters from Ernie Harwell and a certain ex-president who will not be named but did get impeached.

After all, I can’t namedrop ALL DAY! He he he!!

Whining about Insomnia

Well. there goes another Monday morning. Any productivity shot down by a night of sleeplessness.

I just don’t get it. This year has actually seen fewer problems than last year, yet since my 50th birthday, I can count on a good bout of insomnia about every month or so. Usually hitting on Sunday night, because of the upcoming workweek, I suppose. This weekend I got it twice, even on Saturday night, after a day with two hours of driving and about 5 hours of hiking around state parks. Despite all that exertion, at midnight my body felt like it was poised to walk into a slam-dunk meeting or defend the house from raccoons or something.

So last night, it should’ve been easy to fall asleep, right? I took it easy, did some stretching before bed, read for 40 mins — and didn’t fall asleep for another 2.5 hours, even after warm milk and a couple of Tylenol PMs.

How ironic is it that the only thing weighing on my mind lately is that I’m not being that productive? That I’m still waiting to get answers from other people before I release my projects for public consumption? That I’m the person in the household with the least amount of pressure in their lives, and still sleep simply avoids me?

And how stupid is it that I feel like a failure for not being able to sleep? That’s the dominant feeling in those empty hours, that I am failing at something that the entire city has somehow been able to do. Grrrr. This is one aspect of getting older that I’m really detesting.

Patriotic Ice Cream Flavors

One night at dinner, in the days leading up to Liesel’s class trip to Washington, we all brainstormed new ice cream flavors that they should sell in the ice cream parlor in the basement of the Smithsonian.

(You didn’t know there was an ice cream parlor in the basement of the Smithsonian Museum of American History? And that all the Smithsonian museums are free? Then you haven’t traveled in DC in hot weather with young kids.)

Here’s the list we came up with. It rivals the list of rock star ice cream names that we created after visiting the Ben & Jerry’s factory in Vermont a couple summers ago. The kids always come up with the best ones:

Macadamia Monroe
Rocky Roosevelt
Mangobama
French Vanillard Fillmore
Kennedy Crunch
Bull Moose Tracks
Bush Berry
Dubya Bubble
Peppermint Polk
Ulysses S. Grape
Turtle Tyler
US Mint Chocolate Chip
Adams Apple
Martin Vanilla Blueberren
John Crunchy Adams
Lincolnberry
John Fitzberry Kennedy
Cherry S. Truman
Minty Nixon
Raspberry Reagan
Cinnamyndon Johnson

Favorite name: French Vanillard Fillmore
Most eager to try: Mangobama
Least eager to try: Minty Nixon

How about you?

How to Torture an Indecisive Tightwad

So, this whole self-publishing thing has its ups and downs. For each big plus, there’s usually a negative (especially for someone with 20/20 hindsight like me).

It’s exhilarating to be able to supply books directly to readers, and to receive posts and emails and reviews from them. At the same time, it’s a drag not to have stronger relationships with the bookstores and the people who own them, at least for the projects in my foreseeable future. There’s no better place in the world than a good bookstore, and no nicer people you will ever meet. I hope this is not a permanent estrangement.

It’s also a drag not to have a stronger connection with the NY publishing houses now, though frankly, I’ve never had a good long-term relationship with any of them. There is nothing quite like having a trip to NY underwritten by someone else, when all you have to do is be pleasant and eloquent and funny. But that only lasts, of course, as long as they are making money off your writing. It’s been a long time since they’ve bought what I was selling, so it’s a godsend that e-publishing has developed at this time.

One of the aspects of self-publishing that is both a joy and a drag is that all the decisions have to funnel through one wishy-washy bozo: me. Making decisions will excite the entrepreneurial side of me, but sometimes that side is having an off day, and the creative side of me will start to whine, “Aw geez, I just had to write three pages of copy — I’m tired!” Decision-making is a muscle strengthened through use, but sometimes I easily sprain it.

One such decision involves publishing Politically Correct Bedtime Stories in the UK. While it’s been out of print in America since, maybe, 1998, it’s been in print in Britain for more than 15 years. The reason is that my publisher there, Ernest Hecht of Souvenir Press, is a one-man dynamo, raconteur, and all-around savvy character. His firm’s publishing list is interesting and varied, and he keeps my sales up with subtle but steady promotion and mentions in the press. He’s what every publisher should be. He says his only obligation to his writers is to stay in business. I like that directness. It’s worked so far.

So we talked a couple months ago about the UK rights for the e-book edition of PCBS. We didn’t agree on who really owned them, but long story short, I decided to grant Ernest the rights for two years, with a 50% royalty. My negotiation skills, like my decision-making skills, come and go with the tides, but we were both happy with this arrangement.

Ernest is also planning to release a 15th anniversary edition of PCBS, for which I wrote a new story: The real, honest-to-Jah version of “The Duckling That Was Judged On Its Personal Merits and Not On Its Physical Appearance.” (You can find it in the US e-book right now.) I’m looking forward to seeing how it does, and I’m grateful for his faith in me and my book.

But the hardest decision came just a couple weeks ago. I’ve been selling the e-book worldwide (Hi Turks and Caicos!!) through Amazon since mid-November. All that time, Amazon UK sold three times as many (and sometimes four times as many) copies of PCBS as Amazon elsewhere! It was shocking, but the only explanation could be that there’s still a hard copy in the stores. One is driving sales of the other. This made me further realize that a deal with Ernest was a worthwhile venture (at least it will be if he keeps the e-book price down).

Our agreement forced me to do something that went against my nature. A couple of weeks ago, I had to pull the plug on my version for sale in the UK. I had been putting off doing it because of the sales, but I had signed the contract long before that and said I was going to take it down. Pulled the plug on a moneymaker. Ugh. I still think the deal was the best for the long run (or at least a two-year run), but it wasn’t pleasant to do.

Now you know why I didn’t become a brain surgeon or a spy: my decision-making capabilities are sometimes limited to answering the question, “Should this character be holding a sandwich or a banana when he enters the scene?”

Oops. Now I’ll spend the rest of the morning sorting THAT out!