Sexy New Poem on Bardball

Well, I don’t know if the poem is sexy, but it’s about sex.

And I don’t know if having sex in the men’s bathroom at Comiskey Park on Opening Day is sexy — in fact, it sounds like a nightmare, and a great an STD and a visit to 26th and California — but it did inspire a poem. It’s up today on Bardball.

South Side Fireworks, Inside

On Opening Day at the Cell,
Amidst the ravening horde,
The men’s room witnessed a tryst ‘twixt
A South Side lady and lord.

All the prudes and official blue-noses
Who by this action were floored
Should think of the White Sox’s condition
And be grateful that somebody scored.

The Year of Beer

It was only about a year ago that my ever-lovin’ wife put the bug in my ear to take up my former hobby of homebrewing. it was something I picked up in college, and kept pursuing off and on until we moved into a house with a small kitchen and a filthy basement, which left me with no reliable place to brew. Another reason I stopped was that I was doing a lot of wet, intensive work to produce six packs which would then be mostly used as hostess gifts. Gifts that were never opened in front of us.

Hours of time and effort tossed down the hospitality hole.

But last summer I invested in a 2.5 gallon aluminum keg and a CO2 priming system, which we keep filled and chilled in the fridge out at the cottage. Now golden malt nectar is available 24/7 during the summer, and the only people who get to drink it are those I like well enough to invite there. A perfect situation.

Now that I’m back with the wort-and-sparge crowd, it feels like the whole world is becoming top-fermented. A terrific microbrewery opened only two blocks away, in a converted auto body shop. Half Acre Brewing is only available in Chicago, but they make some stunning brews, especially their lager and Daisy Cutter Pale Ale.

Last night I got to experience a little bit of beer-nerd Valhalla in a brewery tour of the Goose Island Brewery. Head brewer John J Hall went into some very fine detail in explaining basic brewing, plus the tireless research and experimentation of its brewmaster (and friend of mine) Greg Hall (no relation). Goose Island has trotted out some marvelous Belgian-style beers in the past four years, which seems to be the latest trend, but John Hall told us that Greg has been working with them for more than 15 years. My tour group paid great attention to the minutiae of the brewing process, even as we drank large quantities of Green Line, Matilda and Pepe Nero, a saisson style beer made with black peppercorns. And just this afternoon, said wife and I made a special trip to grab a bottle of Bourbon County Stout, which is aged in bourbon casks from the Van Winkle Distillery. The big problem now is finding a special time to open these up. (I think the Blackhawks defeating the Predators might qualify.)

And in a few weeks, my buddy Jim Powers will be launching the special event, BEERHOPTACULAR, a weekend fest of microbrews, home brewing, tasting and all in all heavenly jolliness. It’ll be at the Aragon Ballroom in Chicago June 4 and 5. Brewers from all over the nation will be there, so come on down.

I first learned homebrewing while working at Henry Ford’s Greenfield Village, where a lot of us in the Crafts Department were indeed crafty, hands-on people. It struck me then, and still strikes me now, that making your own beer is empowering, economical, entrepreneurial, and ecologically sound. (After examining the carbon footprint of their beers, Goose Island decided to launch its Green Line Pale Ale. It’s served only in kegs to cut down on energy, and they hope to keep buying materials that are closer and closer to Chicago. To this end, they’re talking with farmers in Wisconsin into growing barley and hops, to eliminate shipping from Oregon, Montana and Europe.)

Can we help save the planet by drinking local beer and making our own home brew? I’ve heard stupider ideas, and I was going to be drinking anyway, so it’s worth a try.

I hearby coin and copyright the term LOCABIBING. You’re welcome.

My Trip to C2E2: Adventures in Jiggle City

So I went to my first comic convention on Friday, the C2E2 down at McCormick Place. I went dressed as my favorite character: the middle-aged scribbler with writer’s block who is on the hunt for work. And if I do say so, my impersonation was seamless.

It was a fun way to spend the afternoon. I almost brought my daughter, but I’m glad I didn’t, which I’ll explain later. It was about what I expected, times 5. Lots of crazy pop culture going on. Publishers trotting out their star creators and titles. Indies trying to grab someone’s attention (If zombies are popular, and the Wizard of OZ is a perennial AND in the public domain, what could be better than….ZOMBIE SCOTTIE: TOTO’S REVENGE!!). Retailers from all over the Midwest trying to unload their stock to serious collectors. Numerous corset makers (well, I admit, I didn’t really see those coming, and wished I hadn’t seen them at all). And lots of fanboys and fangirls grabbing up free samples of everything.

I’m almost completely over any qualms telling people that I’m pitching a graphic novel idea. With the popularity of comic movies and TV shows, R.Crumb’s Bible adaptation and other inroads into bookstores, the slow invasion of comics into “acceptable” culture may finally be declared a victory. Then again, when I mentioned my trip to the convention later in the weekend, a writer friend of mine asked, with the slightest archness in his voice, “Do you have an ….. affinity for those kinds of things?” It was a bit of a conversation killer, but I did admire this playwright’s ability to choose just the proper word.

But besides defending myself from insinuations like these, and any and all comments about it from my mother, what’s the downside to it? If my project breaks through, it could have tremendous upside: Regular writing work, quick turnaround, an active fanbase, the chance to do something way out of the ordinary once I earn a publisher’s trust. Compare it to the state of “regular” publishing today, and I’ll take it. Or rather, there’s no reason NOT to take it, since comics aren’t so stigmatized and set apart anymore, at least when it comes to dollars and cents. A “regular” publisher could care less if your previous book was a collection of bawdy anagrams that slandered the Pope and the Freemasons, as long as that collection made money.

The deal hasn’t come through yet anyway, so this is premature to write about. Keeping my fingers crossed.

The thing that struck me the hardest at the con–and what made me glad my 12-year-old daughter didn’t come along this year–was the sheer amount of cleavage and jiggling on display. Especially in Artist Alley, where scribblers sat to meet with fans and get a little spending money from prints, quick sketches, and homemade chapbooks, there was cheesecake everywhere. I didn’t have any big problem with it, and I’m sure it drove traffic to the individual’s booth, but it was quite a lot all the same.

Some guys were clever about it. One artist was peddling a calendar of original art that combined pin-up girls with classic movie monsters, with corny sentiments like “Blinded by Science!” as Frankenstein’s monster and a lab tech in a short white coat dodged lightning bolts from the lab equipment. Others just took famous characters and drew them a little more R-rated, like Catwoman lounging dishabille, apparently after a particular humid caper. And one person had a portfolio explicitly marked “Not For Kids”, which had Betty and Veronica doing all sorts of nasty things they don’t teach at Riverdale High. (The creators of Archie Comics had a strong presence at this fair–how would they react if that portfolio turned up? Is it just wink-wink, nudge-nudge time, or are there serious copyright issues involved?)

One artist friend of mine was attending, and told the story about a collector who, after a few months of correspondence, got up the nerve to ask for a drawing of a famous national newscaster, depicted as a hamster. Oh, and naked, of course.

These kinds of stories never floated around Book Expo America, but frankly, I don’t care. If the comic geeks will have me, I’ll have them.

Calling all REAL men: Come out to the Book Cellar Thursday!

This Thursday night, April 8, will be “Guys Night” at the Book Cellar in Lincoln Square. There’ll be lots of scratching, spitting, and thinking about sex every 7 seconds.

And if you can’t find your own way to the Nonfiction Section, don’t ask any of us to ask for directions! Burp!

I’ll be the humble host of this night of readings, which will feature:

Jonathan Eig, reading from his about-to-be released blockbuster, Get Capone.

Bryan Gruley, reading excerpts from his further-down-the-road-to-be-released sequel to Starvation Lake, entitled The Hanging Tree. Hockey, northern Michigan, egg pie, MURDER–the works!

Peter Schilling, author of a book that’s by-god in the store, The End of Baseball, a fictional account of Bill Veeck’s attempt to field a major-league team in 1944 with all Negro League players.

And to make everything even muy mas macho, I’ll read a few poems from Bardball and throw around words like mackinaw, ingot, and smelt. Come on out at 7:00 and support your local indie bookstore!

“Addams Family Musical”: Just a pinch more hemlock in the yak stew, please

Back in October, in anticipation of the holiday season, I went on a little binge with the internet and the credit card. The newspapers were running ads about the new “Broadway in Chicago” shows, and who was I to Scrooge things up and refrain from supporting live theater in town that was destined to move on to NYC and earn silos full of cash?

So, as a final Christmas treat for the kids — after Cirque de Soleil’s “Banana Shpeel,” Goodman’s “A Christmas Carol” and a little skiing jaunt to Breckenridge in Colorado — I took the fam to see “The Addams Family Musical”, which is wrapping up its fun at the Oriental Theater this upcoming weekend. And the final verdict: really pretty good. As good as I expected.

It’s hard to imagine that someone hadn’t thought of adapting these characters for Broadway before. I mean, c’mon — Batman and Spider-Man musicals have been talked about for almost a decade. Can you imagine a guy in red spandex breaking out in heartfelt song? Well, sure you can, it’s musical theater, you droll thing! But aside from Spidey swinging on a tether and singing “Watch Out, Dr. Octopus,” it’s hard to imagine any reason to pay $85 to see such crap.

But Gomez, Morticia and Uncle Fester are a different matter. They’ve been covered in comics, television and a couple of movies, and yet they still seem very consistent and intriguing. Hell, I’ll say it: for those of us who watched the TV show as kids, they are like old friends. A house with a trampoline in the living room? Filet of yak for dinner? Exploding model train sets? Who wouldn’t want to visit there?

Playing the Addams patriarch, Nathan Lane was a little too subdued, but he can throw off a funny line with as little effort as someone brushes off lint. His accent teetered between Spanish and Transylvanian frequently, but after a while, it didn’t matter. At least there was no way for him to channel Lou Costello and Ralph Kramden, as I’ve seen him do too many times.

Bebe Neuwirth has been in the role of Morticia, but she apparently wanted to watch the final Bears game Sunday and left us with her understudy. Rachel De Benedet was fine, I guess, but having never seen Bebe Neuwirth live, I wanted to see what all the fuss has been about all these years.

The big news last week was the importing of Jerry Zaks as a show doctor. His presence is a welcome development, I think, because while the show is pretty good, it could be great. The story line is flexible and serviceable: Wednesday has finally grown up and wants to marry a boy she met in school, and the boys’ parents come in from Ohio to meet the Addamses. (Kind of a switcheroo on having a normal member of the family, like Marilyn Munster.)

Unfortunately, Gomez and Morticia are only sort of interesting, hobbled by their concerns about growing old. In fact, one of Morticia’s big musical numbers is a lament about how she doesn’t control the spotlight anymore. The most endearing qualities of Gomez and Morticia, as I see it, are their self-confidence, their passion for each other, and their acceptance of the weird. Contemplating change and age with these two is a difficult task: They are ageless, in a way, and wedded to a mildewy past of family mansions, old clothes, and torture chambers in the basement. I’m not saying they CAN’T contemplate these issues, but the characters have to come alive first. They’re a little languid at the beginning, and despite Morticia lopping the heads off a bouquet and Gomez playing with swords, the energy of young Wednesday, her lover, Fester and even the Ohio couple makes them pale in comparison. Hell, even Grandmama comes off with consistently funnier lines. A little spark of genuine joie de vivre weirdness from Morticia and Gomez at the beginning (maybe even before the opening number, “Clandango”, which adds a complicated new facet to the family dynamic) would give the show a very solid footing.

I hope the musical does well in NYC. I have great affection for these characters, and think they will survive well the necessary volume and energy that Broadway requires. (It’s a lot closer to success than “Banana Shpeel” was when we saw it in November.) The Addams’ individuality and optimism always strikes me as truly American, so much so that I can completely believe that their mansion (a wonderful use of staging, BTW) is located in the middle of Central Park. And to see a musical celebrating genuine, deep-rooted eccentricity and be successful at it would be one of the coolest things to happen onstage since “Urinetown.”

Some Mushy Spots in “Banana Shpeel”

Last night the family and I took in the new Cirque de Soleil show at the Chicago Theater, “Banana Shpeel.” I bought the tix months ago, on a whim, when I first heard about it. Worth a gamble, it seemed.

The verdict: Still worth a gamble.

A friend in town–a PR pro in the arts–said last week on Facebook that the show wasn’t worth going to, even if someone gave you the tix for free. This was a refreshing honesty about the source of ducats, I thought, but it aroused fear and dread about what I’d really see for my hard-earned dollars. (And this being Cirque de Soleil, you KNOW there’s a pile of dollars involved.)

All in all, the show was pretty good. Stupid in a lot of parts, but often the good kind of stupid. Some performers were great, but some were basically expendable. (The big story of the show is how it jettisoned a couple of characters last month because their parts were written out. Well, one player was given credit in the program for appearing as a Pierrot. There were even pictures of him, in his whiteface and baggy white pajamas, trying to get all zany with a butterfly net. A Pierrot in vaudeville? Now THERE’S a shoot that needed clipping a long time ago.) Unfortunately, the question that remained after seeing it was, what were they doing for so many months of rehearsal (and actually years of planning)?

It seems like the problem lies in the vaudeville format itself. A variety show strung together by a flimsy storyline–sounds familiar. Sounds doable. Sounds like a platform to take things to the next level, like the troupe says it intends to do in all its promos. To fault it for that seems churlish. But when intermission arrived after 60 minutes, a slight twinge of unsatisfaction arose in me. Not DISsatisfaction, which is a real word. UNsatisfaction. Like being promised a sandwich, and being served some turkey loaf on Pepperidge Farm bread.

Luckily, the second act was better than the first, with a couple of superb circus acts: A woman who juggled large fabrics on all of her limbs, and a gymnast who twisted and writhed around what looked like a simple lamppost. These were acts that brought wondrous smiles to a spectator’s face, and brought the show up a notch.

For all the people who are curious to see it because they have an abiding interest in vaudeville, clowning and variety acts of all kinds, I say go ahead and see it. The dancing and music was very good, the circus acts were great, and the clowns in general were very good. Could it gel more, or is it doomed to be three shows in one? Time will tell.

I haven’t seen a Cirque show in more than a decade. I remember seeing three in a row, starting with “Saltimbanco”, which blew me away. Then, like Mel Brooks movies, each new one was exactly half as entertaining as the preceding one. With all the smoke machines, annoying new-age music, and ponderous and pompous pacing, the whole thing became tedious. Kind of like Doug Henning once again telling his audience to believe in **wonder!**, the Cirque began to pale against real circus shows, where the players didn’t believe in their own artistic ambitions but just got on with the business of being showmen.

Make no mistake, the circus relies on ballyhoo and hokum, but those are distinct from bombast and hype.

I wish the company lots of luck with “Banana Shpeel.” It’s always good for clowning to have exposure in legit venues. In these tight economic times, however, audiences might start to grumble that they’re not getting their **Wonder Quotient**. It was like years ago, when I ushered at the Goodman Theater’s production of “The Comedy of Errors,” starring the zany jugglers The Flying Karamazov Brothers. One old lady at the matinee came up to me at intermission and angrily complained, “That’s nothing but vaudeville in there!” Hey, no one said it was anything but.

No Circus This Year

An email arrived today from the Greatest Show on Earth, offering a discount on their VIP tix for the upcoming Chicago dates. Seems a little late in the game for such an offer, since the circus is already here in town. Perhaps they’re having trouble filling seats. Whether that’s the case or not, the family will not be headed down to the United Center this year, to take in the sights, explosions, and $17 popcorn.

This might be the first time in a decade that we haven’t gone to some sort of circus in the city. Most years it’s been Ringling Brothers, but Universoul Circus and Cirque de Soleil have also shown us a good time. And of course The Midnight Circus — whose directors/stars live on the next block down! — have always been a treat (though this year, their show in Wells Park was a rainout. Jonah’s luck!)

This fall, though, the schedule is too hectic to fit in another night when we can go. We’re already planning to see Cirque De Soleil’s new show Banana Shpeel next weekend. Add to that the Goodman’s Christmas Carol (a chestnut, sure, but the kids should see it once) and the new Addams Family Musical in January, and we will have blown our collective wad on theater for the holiday season.

Sorry Ringling, your show this year — “Zing Zang Zoom!” — while hard to type, looks pretty good. Anyway, the circus shouldn’t seem like an obligation, right? And anyway, I’m spending every morning in the circus of my brain, trying to figure out what the real secret is behind “Colonel Mars’ Congress of Freaks”, so I’ve had my fill of spangles and bombast.

But just to show there’s no hard feelings, here’s a picture of a bunch of clowns with a little boy. I don’t care if the kid is laughing or screaming — at least at the circus, you know you’re ALIVE, Junior!

Me and the Berlin Wall

What an inspiring anniversary to celebrate this week. The crumbling of the Berlin Wall, the symbolic division between the vibrant, free West and the state-run, concrete-sculpted East. When the fall of the wall was covered on TV, my reaction was multifold:

1. They’re doing WHAT with sledgehammers? Yay!
2. Why is this happening now?
3. What in the world took so long?
4. Does this really mean the end of the Cold War, or will Germany be the sole beneficiary of this boldness?

And then the most important question of all:

5. How can I joke about it?

This month in 1989 was the third month I had been doing a weekly cabaret called “Theater of the Bizarre”, in the lower level of the Elbo Room (which somehow is still there at Lincoln and George, hosting musicians I’ll never learn about in my middle-aged life). The show needed a little time to find an identity, but Nick the owner was a very good guy, liked what we were doing and open to using the lower level of the restaurant in different ways. My friend Steve Ginensky had asked me to help him get this show going, the only time anyone had ever outright asked me to perform onstage. So, for that compliment, I was grateful.

“Theater of the Bizarre” was hosted by a black-clad Euro-trash art casualty named Armando von Shtuppenvald, accompanied on piano by his lacky Pepe. We smoked, wore berets and wrap-around sunglasses, had bored German accents — think of Mike Myers’ Dieter character, but actually funny. For a while Steve and I swapped these roles — usually during the show — by swapping Armando’s iconic chin beard. After a few months, though, the novelty of this wore thin, as did the amusement of me trying to play anything on piano. (My lousy piano-playing did, however, give us our theme music. Butcher the song “Konnen Sie Der Muffinmeister” well enough and it takes people a while to realize you’re singing “Do You Know The Muffin Man”.)

And with the fortuitous Fall of the Berlin Wall, we were propelled into a two-year run of the show.

The fall of the wall and the eventual collapse of the Soviet Union didn’t happen overnight, we sometimes forget. It took about 20 months for the latter to occur, and in that time, we were able to milk people’s attention to Germany for all it was worth.

One of my bits was a box of “Cut-out Dolls of the Communist Party”, a kit that allowed you to dress up Deng Xiao Peng as Jobba the Hut and Fidel Castro as a Cuban infielder and a big-band leader. For the president of East Germany (a position that went through a lot of occupants before disappearing completely), instead of changing clothes, I rotated the head, from Erik Honneker to whoever replaced him, to Werner Klemperer, to Arte Johnson in his “Verrrry interestink” outfit. In the picture below, you can see me with the cutouts, while Pepe reads from our book “Kafka fur Kinder.”

And when the rest of Europe began to fear the power of a unified Germany (yeah, it had been a rough century whenever Germany got rambunctious), Steve as Pepe penned one of our best song parodies, to the tune of “We Are The World”:

There comes a time, when you have to forge ahead,
Even though, you don’t know, what you’re doin’…
You’ve got Roseanne und E.T., Disneyland und MTV,
But WE’VE GOT FAHRFERGNUGEN!

We are the World! We are the Germans!
Our men are strong, our women look like Edgar Bergen!
Uber alles said and done, we just want to have some fun….

At which point, Armando would always interrupt from offstage and go into a tirade about his going off the leash, only to be soothed when Pepe began to tinkle “Alley Cat” on the keyboard. It was a grand good silly time, and during “Theater of the Bizarre” I made a lot of good friends. I also got the idea for “Politically Correct Bedtime Stories”, but we can’t blame the Germans for that.

So, you know, it’s great that 20 years ago, millions of people began to throw Communism and their oppressive leaders out the window. Kudos. But much more importantly, it gave us lots of topical material. For that, Steve and I will be forever grateful.

Daddy’s Job

Good joke sent by an old friend in an email yesterday:

Little David is in the 1st grade. Yesterday morning when the teacher asked the children what their fathers did for a living. All the typical answers came up; fireman, policeman, salesman, etc.

The teacher noticed that little David was being uncharacteristically quiet and so she asked him about his father.

‘My father’s an exotic dancer in a gay bar and takes off all his clothes in front of other men. Sometimes, if the offer’s really good, he’ll go out to the alley with some guy and do it with him for money.’

The teacher, obviously shaken by this statement, hurriedly set the other children to work on some coloring, and took little David aside to ask him,’Is that really true about your father?’

‘No,’ said David,’He plays for the Cubs, but I was too embarrassed to say that in front of the other kids.’

It’s funny cuz it’s true.

Nice to Know StubHub is Paying Attention

Received this evening:

Hi James,

Earlier today, an email promoting Chicago Cubs postseason tickets was sent to you. This, unfortunately, was a mistake. We regret the error and apologize for any inconvenience or confusion this may have caused.

Sincerely,

The StubHub Team

Winter Olympics 2018 — IN CHICAGO!

Pluses:

–Extremely flat surfaces for speed skating, hockey, figure skating, curling and broomball (exhibition sport, suggested by the Wisconsin delegates).

–Travel time between events won’t be exacerbated by twisty mountain roads.

–Like all his predecessors, the mayor will make damn sure the roads are plowed.

–Would force the county to fix up their toboggan runs.

–Shots from Pentathlon participants won’t bother jaded city dwellers.

–Rio is out of the running now.

Minuses:

–Relative lack of mountainous terrain will force most skiing events to Michigan’s Upper Peninsula.

–City will be flooded by visiting Minnesotans.

–Hearing all the commentators bitching about how cold it is, as well as telling the world that Chicagoans call the wintry north wind “The Hawk”.

–Locals will be distracted from watching Spring Training.

Lost Chicago, Post-Olympics

Okay, the big announcement for whether Chicago will get the 2016 Olympics is due in about 90 minutes. Maybe we’ll get it, maybe Rio de Janiero will be the dark horse/sentimental underdog and pull it out in the end. But in case the Windy City does land the games, I wanted to make a list of the things that will inevitably change or disappear in the next 7 years.

–The wide open, quiet, 19th-century feel of Washington Park

–The media neglect of the whole South Side.

–The quiet mornings on the Lincoln Park rowing course, which will be upgraded and lead to a new wave of Sculling-Mania!!

–The days when $1.5 billion seems like a large amount of money.

–the four-star Chicago flag, which will certainly get a fifth for the Games. (How interesting that the six-pointed star is now being graphically used all over the place, from T-shirts to company logos. Why did that take so long to think of?)

–Our feeling of being the Second City (though the condescension from New York will never stop–“It used to be the Hog Butcher to the world, now it’s the locker room.”)

–An affordable cab ride.

–the make-up of a good Chicago hot dog. There are bigger things to worry about, but I’m pretty certain that the recipes for basic local foods — hot dogs, Italian beef, Frango mints from The Store That Must Not Be Named — will all be watered down and homogenized to accommodate the new visitors. The opposite problem might be that every new restaurant in town is going to be a deep-dish pizzeria, “authentic Chicago style”.

–Richie Daley is just going to get scarier and scarier.

UPDATE: Wait, we DIDN’T get it??? Who the hell do they think they are????

Jaun Antonio Sumthinorother? He’s a DEAD man!!! Didn’t he watch The Untouchables??

Read my take at true/slant here.

Little Dinks Get Under My Skin

Is it just me, or are the 30-and-under people who’ve moved into the city in recent years some of the most unresponsive, unfriendly little dinks you’ve ever seen? Maybe it’s just in my neighborhood, or maybe it’s just my neighbors, or maybe it’s my “I Choked Linda Lovelace” t-shirt, but I swear, holding a conversation or just nodding to a stranger on the street brings an expression to their faces that makes me think they just watched a “Stranger Danger” video before venturing out onto the mean streets of Lincoln Square.

Now, maybe I’m old fashioned, but if you live in a city, you’re going to brush up against people you don’t know, people of very different backgrounds, people with very different views of the world. And that’s the reason WHY you live there, not because Chicago has more late night sushi than Bloomington or Carbondale. The Windy City is also a friendly place, so you should nod once in a while when you pass a stranger on the street, just to indicate, “Hey, what a life, huh?”

But do that to some of these whelps and you’d get a look like you’re trying to steal their parking space.

An example: Next door to me, the landlords have an exquisite talent for renting to 20-somethings with no discernible personality. The man is usually skinny and bookish, and the woman overweight and in charge of the relationship. (This was not the rule when our friends Wendy and Lawrence lived there, I’ll point out. They was and are good people.) One couple lived there three years, and resisted any attempt to chat over the back fence, which is a pretty difficult trick when there’s only five feet separating the buildings. Then, about three days before they were to move, the man came up to me all friendly and said something like, “I learned from someone that you wrote this funny book, will you sign it?” And he had a copy of Politically Correct Bedtime Stories in his hands.

Gosharooties, how sincere! One of my most ardent fans! What could I inscribe to reflect my deep connection with this dink? (Go ahead and imagine what I wanted to write, but I was dutiful and polite in my inscription)

These days there’s another couple living next door. I call the man Chunky Butts because he has to stand in the back yard to smoke and talk on his cell while wearing football pajama pants. I see him almost every morning walking my dog. We’ll be the only two people on the sidewalk in a three-block radius, and four times out of five, he won’t even raise his eyes to say good morning. Literally the longest conversation we ever had was last summer, when I told him we’d been broken into while on vacation. That got his attention, however briefly! Then when the immediate danger to HIMSELF was passed, he went back to his usual communication pattern. I think he was worried for his football pajama pants more than anything else.

With their hangdog looks and their stupid thrift fashions, these young mopers are making the whole hood seem like Wicker Park, or worse, Hyde Park. Lighten up, people! You look at me like I’m some kind of middle-aged oppressor, using up all your beer and oxygen while keeping you enslaved in some phone-bank job. Or I’m the cautionary tale of what you’ll look like in 20 years (dude, with your lack of joie de vivre and your addiction to energy drinks, you’ll be lucky you’re not dead in 20 years).

We’re neighbors, get it? We ain’t the best of friends, but we’re all in the same boat. We’re Chicagoans, bound by a hatred of the weather and a secret envy of New York and Wisconsin. We can meet recent immigrants from every nation on earth and eat a banquet of their food specialties for $6. We’re getting screwed over by politicians and developers and Olympic boosters–doesn’t that give us something to talk about? I kinda hope for a huge power outage in a heat wave so you’ll have to get your asses outside and actually communicate with someone other than your BFFs on Twitter.

The Olympic Bonanza

Satirists are usually of two minds about bad ideas. While bad ideas might be detrimental to society, the economy, or individual people’s lives, they generally lead to pretty good jokes.

So when I read that the Chicago City Council voted unanimously to guarantee any potential cost overruns for the 2016 Olympics, I was distinctly ambivalent. Bad idea? Sure. Funny material? It starts with the picture of all those clowns standing up and applauding like the Bulls just won in overtime. And the notion that this somehow proves that the Olympics have popular support around here.

This morning on WBBM, Stephanie Streeter, the chief executive officer of the US Olympic Committee, wanted to put a little fire under our collective seats by saying that Chicago is not the front runner for hosting the games. (Again: Good news? Bad news? Please don’t t’row me in dat Briar Patch!) She went on to say that we could really turn things around in time for the October 10 vote:

“What you want to do is be in the lead on the last day, after the vote is taken, not necessarily going into the competition,” she said, in an exclusive interview with WBBM.

Streeter said she believes Chicago is peaking at the right time. She called the Chicago bid “spectacular,” said Wednesday’s unanimous Chicago City Council vote to make financial guarantees erased one potential obstacle, and said the unanimity speaks far louder than the recent Chicago Tribune poll that showed Chicagoans nearly evenly split over support for the bid.

There’s another laugh for you: that the City Council vote represented a unanimity of spirit for the city as a whole. I assume she’s visited the city numerous times in recent years, and knows how things work. So, she’s either deluded, or she’s having a little wry laugh at the expense of the radio audience.

In their enthusiasm, the aldermen must believe the mayor’s assertion that everything’s covered, that in the unlikely event of an overrun, the city’s insurance will take care of it. The aldermen certainly have a hunger to crunch budgetary numbers–just look at how well they scrutinized the parking meter lease deal. These guys LIVE for their fiduciary duties!

The rest of the city? Forgive us if we’re the teensiest bit skeptical about this whole deal. Unless we see some real improvements in the city–most notably with mass transit–we’d like to know exactly what we’re all getting for the half-billion dollar bill we might end up footing.

But at least some of us cynical ones will get some material to work with.

Okay, Looks Like I’m Ready to Be a City Boy Again

Yesterday the family piled in the car and returned to the City on the Make. Schools are starting, and other obligations are beginning. Of course, after a rainy weekend, the sun came out on Sunday and taunted us as we packed, cleaned, stored and drove off. Typical weather for the end of a vacation–I wish I could keep track of the weather every Sunday evening since we’ve been going to the lake house, because it always seems to be sunny, warm and perfect.

So after a pasta dinner tonight, I took a stroll through Lincoln Square, to see what’s been going on around the area. Couple stores opened, a couple closed. No real surprises. Both bookstores are still there (man, we are fortunate around this hood), and looking like they’re doing okay. An artist lined up a lot of canvases on the sidewalk near the square, which was cool and something it would be good to see more often. The Davis is still showing movies, and my favorite bars are still open. Pretty soon Half Acre Brewing will have a tasting room at their brewery on Lincoln, so I can have my mail forwarded there.

Yep, it looks like everything proceeded along without me the past two months. The nerve of this city, ignoring my absence! As usual, coming back here after the summer was filling me with a little dread: too much noise, too many cars, too many people. Oh, and the writing projects call again, now that vacation is over. It’s always more pleasant to think about great projects than to watch what they end up being.

But as I type, I realize these are the exact reasons I’m not ready to live full time up in farm and lake country. I need the distractions. I need the loudness, and the people. I need things to keep changing. Without it, I don’t think I’d be able to survive. Hanging out on the water is a lot of fun, and certainly refreshing, but I still need to talk to people about something other than the fish and whether the State of Michigan will implode on itself.

So the Garners still get the best of both worlds. A place to relax, and a place to get wound up. I wish these two things to all of you. Oh, and some fresh caught fish.